Hit Lit
“Every would-be writer, and every knowledgeable reader, should read this book.”
—Michael Connelly
What do Michael Corleone, Jack Ryan, and Scout Finch have in common? Creative writing professor and thriller writer James W. Hall knows.
Overview
Now, in this entertaining, revelatory book, he reveals how bestsellers work, using twelve twentieth-century blockbusters as case studies—including The Godfather, Gone with the Wind, To Kill a Mockingbird, and Jaws. From tempting glimpses inside secret societies, such as submariners in The Hunt for Red October, and Opus Dei in The Da Vinci Code, to vivid representations of the American Dream and its opposite—the American Nightmare—in novels like The Firm and The Dead Zone, Hall identifies the common features of mega-bestsellers.
With fascinating and little-known facts about some of the most beloved books of the last century, Hit Lit is a must-read for fiction lovers and aspiring writers alike, and makes us think anew about why we love the books we love.
Praise
“Passionately and thoroughly entertaining… Hall examines 12 of the most successful novels of the 20th century and ‘reverse-engineer[s]’ them, mining their separate defining qualities and their comparative appeal to readers… Referential and cleverly elucidated, the book raises many good points about the precise methodology of bestselling novels.”
— Kirkus Reviews
“Fascinating. Every would-be writer, and every knowledgeable reader, should read this book. It brings a valid understanding to publishing phenomena that seemingly were unexplainable. With this book, you see the forest and the trees.”
— Michael Connelly
“I learned more about fashioning a bestseller from Hit Lit than from any other book, or any experience, I’ve encountered in my thirty-five years as an editor and publisher. Even established and successful authors need this guide.”
— Otto Penzler
Discover Hall’s Award-Winning Thorn Series
Reading Hit Lit isn’t a shortcut to writing a bestseller, but it can’t hurt.
James on Writing Hit Lit
For twenty years I taught a graduate course in Bestsellers to several generations of aspiring writers and literature majors.
I began teaching the course with the wrong-headed idea that I was going to make fun of these cliche-ridden, melodramatic, badly written books and show how inferior they were to books from the literary canon that my colleagues and I taught.
I’d never read Gone With The Wind or From Here To Eternity or some of the other books I used in that first course, so I was shocked to discover that despite the cliches and banalities and poor writing, I was enthralled by these books. I was moved in ways that some of the more highbrow novels I regularly taught did not move me.
After confessing this to my first group of grad students, we had to decide as a group, what we were going to do now that we were no longer going to make fun of these books.
We decided to see if there were any consistent features, any themes or character types or other aspects that these books shared. What made them appeal to so many millions of readers?
That course matured and evolved over the years and several of the grad students who took the course went on to publish their own novels which became bestsellers.
I never set out to “crack the code” of bestsellerdom. This book is not a how-to guide for writers to conquer the bestseller list. I tried to make the book fun and accessible for general readers as well as aspiring writers. It sure can’t hurt a writer to know a dozen or so common denominators between the most commercially successful books of the 20th century.
Keep in touch with Jim
We check in with Thorn over at Snappers or Lorelei every once in a while. Maybe he’ll have some new stories to tell us.
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